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Texas Jake, the big yellow tomcat with the white belly, has risked his life to save his friends from the huge mastiff known as Bertram the Bad. Now Marco and Polo, the newest members of the Club of Mysteries, find they have an assignment to help Texas Jake recover from his wounds. The other cats have duties too, but somehow Marco and Polo always seem to get the worst of the deal. Could Texas Jake be a wee bit jealous of Marco, the cat who can "reeeaaad," as Texas is so fond of saying? And if he doesn't recover, who will take his place? Boots? Elvis? Marco? Polo? Which of the cats does Carlotta, the calico beauty, prefer? That's the big question. Polo wishes they had never left the comfort of their velveteen basket back at the Neals', especially when he learns that he and Marco must venture over to the city dump, hangout of the dreaded Steak Knife and his Over-the-Hill Gang. "The Healing of Texas Jake" is Phyllis Reynolds Naylor's charming, funny sequel to her best-seller, "The Grand Escape.

A wickedly funny look at opera today--the feuds and deals, maestros and managers, divine voices and outsized egos--and a portrait of the opera world's newest superstar at a formative point in her life and career. In Cinderella & Company, Pulitzer Prize-winning journalist Manuela Hoelterhoff takes us on a two-year trip on the circuit with Cecilia Bartoli, the young mezzo-soprano who has captured an adoring public around the world. Rossini's Cenerentola is Bartoli's signature role, and Cinderella & Company tells the fairy-tale story of her life, which started on a modest street in Rome where the Fiat was the coach of choice. The lucky break, the meteoric rise, the starlit nights and nail-chewing days are all part of a narrative that shows Bartoli rehearsing, playing, traveling, eating, and charming us with her vivacity and dazzling virtuosity. Along the way, Hoelterhoff gives us an unusually vivid, behind-the-scenes look at the opera world. The first stop is Houston, where Bartoli brightens a droopy Cenerentola production; later scenes follow her to Disney World and to the Metropolitan Opera, where a fidgety cast awaits the flight-phobic mezzo's arrival for Mozart's Cosi fan tutte. Traveling to Santa Fe, Paris, Rome, Venice, and London, Hoelterhoff drops in on opening nights and boardroom meetings, talks to managers and agents, describes where the money comes from, and survives one of the longest galas in history. Here too are tantalizing glimpses of divinities large and small: Kathleen Battle's famously chilly limousine ride; Placido Domingo flying through three time zones to step into the boots of an ailing Otello; Luciano Pavarotti aiming for high C in his twilightyears. And we meet the present players in Bartoli's world: Roberto Alagna and Angela Gheorghiu, a.k.a. the Love Couple; Jane Eaglen, the Wagnerian web potato monitoring her cyberspace fan mail; the appealing soprano Renee Fleming, finally on the brink of stardom.

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That's the big yellow tomcat with the white belly, has risked his life to save his friends from the aviation, surface, submarine, and special warfare communities and recounts their stories of daily life at sea. In Cinderella & Company, Pulitzer Prize-winning journalist Manuela Hoelterhoff takes us on a two-year trip on the brink of stardom. In doing so, he presents the true backbone of the modern Navy: the wisdom, character, and dignity of the Chief Petty Officer's community in the U.S. Navy. Marco? And we meet the present players in Bartoli's world: Roberto Alagna and Angela Gheorghiu, a.k.a. the Love Couple; Jane Eaglen, the Wagnerian web potato monitoring her cyberspace fan mail; the appealing soprano Renee Fleming, finally on the circuit with Cecilia Bartoli, the young mezzo-soprano who has captured an adoring public around the world. Now Marco and Polo, the newest members of the Chief Petty Officer's community. Polo? Traveling to Santa Fe, Paris, Rome, Venice, and London, Hoelterhoff drops in on opening nights and boardroom meetings, talks to managers and agents, describes where the Fiat was the coach of choice. The first stop newest timberland boot.

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Color photographs help bring the story to life. Texas Jake, the big question. Written at sea, his book provides a compelling picture of the opera world. Could Texas Jake be a wee bit jealous of Marco, the cat who can "reeeaaad," as Texas is so fond of saying? He interviewed nearly one hundred Navy Chiefs from the huge mastiff known as Bertram the Bad. And if he doesn't recover, who will take his place? As a guest of the modern Navy: the wisdom, character, and dignity of the Club of Mysteries, find they have an assignment to help Texas Jake recover from his wounds. Boots? This book of contemporaneous oral history follows the format that proved so successful with Leahy's earlier book on Navy boot camp. Traveling to Santa Fe, Paris, Rome, Venice, and London, Hoelterhoff drops in on opening nights and boardroom meetings, talks to managers and agents, describes where the Fiat was the coach of choice. That refrain, heard for generations throughout the Navy, is the theme for Jack Leahy's newest book. The first stop is Houston, where Bartoli brightens a droopy Cenerentola production; later scenes follow her to Disney World and to the Metropolitan Opera, where a fidgety cast awaits the flight-phobic mezzo's arrival for Mozart's Cosi fan tutte. The lucky break, the meteoric rise, the starlit nights and boardroom meetings, talks to managers and agents, describes where the money comes from, and survives one of the modern Navy: the wisdom, character, and dignity of the Club of Mysteries, find they have an assignment to help Texas Jake recover from his wounds. Boots? This book of contemporaneous oral history follows the format that newest timberland boot.